Nikon D700 Review  

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The Nikon D700 is Nikon's top new amateur camera. Unless you're a full-time sports, news or action pro, the D700 replaces the D3 for studio, wedding, portrait, nature and landscape pros, as well as all advanced amateur photographers. (I'm a very strict grader for what defines a pro; everyone else is amateur.)

I average 5,000 shots every month on my D3. When I got a D700, there wasn't much difference. The D700 has exactly the same image quality, and handles just a little bit better. I can't say anything better about the D700 than that. The D700 is a D3 with a smaller battery (unless you add the grip) and a cheaper finder screen system, and that's it. The D700 even has the superior rear thumb control of the D3, not the crappy single-piece thing from the D300.

The D700 is a mostly improved version last year's $5,000 camera, for just $3,000. If you want to read all the good things I think about the D700, read my D3 review in its entirety, and read this review simply for what differs between the two.

The thing I missed most in the D700 is the option to shoot in the professional 4:5 aspect ratio, which fits more of my subjects better than the outdated 2:3 aspect ratio of 35mm film and most DSLRs. On my D3, I program the FUNC button to let me chose my framing with one finger without having to take my eye from the finder.

To make up for it, the D700 adds an AUTO option to the Auto Dynamic Range mode, which will probably give the D700 slightly better image quality in difficult light with less twiddling (I leave my D3 set at Normal, since it has no AUTO setting), and more importantly, the D700 added a much needed way to get to my color saturation and contrast Picture Control settings, as well as a way to display the huge INFO panel on the 3" LCD, each with just one tap of one finger on my shooting hand. On the D700, I can get to all the menus with just one hand.

Which is better? If I didn't use the 4:5 mode so often and have a personal issue with the obstructive black AF sensor markers and too-small exposure compensation marks in the D700's finder, it's obvious that the D700 is better so long as you're not shooting action at 9FPS.

The D700 is so good that I'm suggesting people buy a D700, then sell their D3s and pocket the cash. Shoot the D700 until the D3X comes out so that you aren't holding onto a depreciating D3. (see $1,000 off on a D700).

The D700 uses the same image sensor and has exactly the same image quality as the D3, even at ISO 3,200.

The D700 has some subtle, but critical firmware improvements which make it far easier and faster to use than the D3. I can shoot the D700 with one hand, but need to two hands to set Picture Controls and get to the menus in the D3. See my D700 User's Guide for details. In the D700, I can program the FUNC button to call up my Picture Controls, program the power button to call up the rear INFO display, and another tap of the INFO button gets me to other frequently used menu settings. The D3 lacks these options, so it takes a second hand on the MENU button to do all this. Time wasted jacking with more button pushes on the D3 needing an extra hand means missed photos.



Things unique to the D700

"Auto" ADR mode. The D300, D700 and D3 all have selections for OFF, LOW, NORMAL and HIGH. The D700 adds "Auto," which magically selects among them all. It really works.

Ability to program the FUNC button to bring you immediately to your top item in My Menu (CSM f5: Assign FUNC Button > Access top item in My Menu). I set this to Set Picture Control, which lets me select among my various settings of saturation and contrast. This is very important and I wish my D3 did this, because when I photograph things, I use very high saturation, and a second later if I'm photographing a person, I need to set it back to more reasonable colors. If I have the colors set to one or the other, my images are poor and would require post-processing screwing around which would cost me money.

Easy to set the rear LCD to show what's going on, either with the dedicated rear INFO button, or better, by setting a Custom Function (CSM f1) to make the INFO panel appear on the back simply by rotating the power-switch to the illuminator setting. I prefer the more complete INFO display on the large LCD to having some of the information, like ISO and WB, on the second smaller text-only LCD of the D3.

The D700's rear INFO display is superior. It's a masterpiece of interface design that tells me every conceivable option that's set in the camera, all on one screen I can pop on with one touch from my shooting hand.

WB is easier to set than the D3, because it can come up easily on the rear 3" INFO panel and comes up with all the icon in a row on the top LCD. On the D3, the tiny rear LCD has the icons jumbled in no particular order, and it takes a second hand and some logic to get the INFO panel to display on the D3. The D3 takes a moment to display the INFO panel once you figure it out; the D700 does it instantly.

The D700 adds a sensor cleaner lacking in the D3, but present in the D300. UNlike Canon, it only runs when you tell it to so it doesn't slow down your power-on and power-off switching. I don't care, I send my cameras in to the manufacturer one every year or so for cleaning, and FX cameras are much less picky about crud than DX cameras were.

WB is easier to set because you can see it much more easily on either the big rear INFO display (no fiddling required), or the top LCD which has the WB icons in a row. The D3 has the WB icons all jumbled together in no order on the tiny rear LCD, making it slower to get where you need. The D3 requires a second hand to call up the INFO panel.

It's not only smaller, lighter and less expensive than a D3; it's quieter, too.

The Vignette Control defaults to NORMAL.



D700 Lens Compatibility

Intro Comparisons Lens Compatibility Specifications Accessories Performance Recommendations

Thank goodness, the D700 works with every Nikon lens made since 1977.

Every AF, AF-D, AF-I and AF-S lens just works, which is every Nikon AF lens ever made since 1986.

It also meters with AI and AI-s manual focus lenses as does the D3. If you enter the focal length and f/stop, it gives color matrix metering, aperture-priority and manual exposure and correct EXIF data. Whoo hoo, this means you can use the full catalog of manual lenses.

DX lenses work on the D700, but who cares? The D700 is only a 5MP camera with a DX lens, because it only uses the middle of the sensor. It's silly to use DX lenses on the D700; even the D40 has more resolution (6MP) with DX lenses than either the D700 or D3.

See Nikon Lens Compatibility for much more.

Specifications:

Finder: Worlds better than any DX camera. 18mm eyepoint. 95% coverage (of full FX frame, not the tiny DX frame), 0.72x with 50mm lens. (D3 is 0.7x and 100% coverage.) Inferior finder for DX lenses; doesn't crop the finder as does the D3.

Electronic Level: Yes, electronic virtual horizon, just like D3.

AF: 51 points. CAM3500FX sensor array (same as D3 and D300). Fine-tuning, if you have slight errors with certain lenses.

Shutter: 1/8,000 ~ 30 sec, bulb. Carbon fiber and Kevlar, tested to 150,000 cycles.

Flash Sync: 1/250.

Frame Rate: 5 FPS. 8 FPS with MB-D10 and EN-EL4 or 8-AA battery.

Built-in Flash: GN 39/12 (Feet/meters at ISO 100). Controls wireless flash.

Sensor: 12.1MP CMOS, same as D3. 14-bit linear ADC, 16-bit data pipelines, as the D3. 12-channel parallel readout.

Sensor Size: FX (23.9 x 36mm) and cropped DX, just like D3. No professional 5:4 mode.

Live View: two modes.

Resolution: 12.1MP in FX, 5MP in DX.

FX: 4,256 x 2,832 (L), 3,184 x 2,120 (M), 2,128 x 1,416 (S).

DX: 2,784 x 1,848 (L), 2,080 x 1,384 (M), 1,392 x 920 (S)

ISO: 100~25,600. Nikon really only want you using ISO 200~6,400, so lower ISOs are read as gibberish like "Lo-1" and higher ISOs are coded as garbage like "HI+2."

File Formats: JPG, TIF, NEF. NEF in 12- or 14-bit with no, lossy or lossless compression.

Rear LCD: Exquisite 3," 920,000 pixels. HDMI HD output, but it uses a screwy, non-standard mini HDMI connector.

Storage: Single CF card. Too bad; I love the in-camera backup of the D3's dual card slots.

Data Communication: USB. Optional WT-4 wireless and ethernet.

Optional Macho-Man Grip: MB-D10.

Power: EN-EL3e, standard; same as D200, D300, etc.

Size: 5.8 x 4.8 x 3.0" (147 x 123 x 77mm).

Weight: 35.1 oz. (995g) without battery, card, strap, monitor cover or lens.


More Reviews at: http://www.kenrockwell.com/nikon/d700.htm

DQM x Nike Dunk High Premium Set  

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Hooking up with Nike for yet another collabo project, New York outfit Dave’s Quality Meat reworks the Dunk High silhouette into a classic solid color wonder. Along with its one color outer, the Dunk High gets a full perforated suede treatment with matching midsole and outsoles. Keeping the theme quite simple, the shoes feature minimal branding with a simple DQM embossed logo on the tongues. The collection coming in three colorways is expected to be a limited release with only 15 pairs of each color available to Parisian shops Opium and colette on September 20th, 2008 with a US release coming shortly after.

Source: La MJC




So far not bad....since nike collaboration with Dave's Quality Meat (DQM) the shoes release will be never dissapointed.

Solebox x New Balance 1500 2008  

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With the teaser shots surfacing a few days ago, a full look into Solebox’s 2008 collaboration 1500 with New Balance is seen here. The front of the shoe begins in buttery gray suede and a progression to the heel is met with black leather. Stay tuned for a release date.



Really want those 1500........can't wait until general release.

HUF Fall 2008 Tee's Preview  

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More at: hufsf.com

Oh sh!t.....i want the first tee. Hope drop to indo........

Recon Fall 2008 Tee's Delivery  

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Available at NORT RECON NYC.

When drop in indonesia???? want it..........

Justice x Surface to Air: Release Bomber Jacket  

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Parisian electro kingpins “Justice” have teamed up with “Surface to Air” (the folks behind the We Are Your Friends video) and launched their own range of patent leather jackets and black jeans.

Parisian electro kingpins “Justice” have teamed up with “Surface to Air” (the folks behind the We Are Your Friends video) and launched their own range of patent leather jackets and black jeans.

The Ed Banger duo who are notorious for their love of black shrunken leather jackets have created a limited edition of 3 jackets (just 150 pieces) and 2 pairs of jeans.

All designs come adorned with the Justice cross and will be available from June. If you are one of the people who plan to scramble for the limited edition designs, the collection will be made available at select locations worldwide including Surface To Air Paris, Surface To Air Brazil, Colette, Barneys, Lane Crawford, Isetan, Le Bon Marché, Paris Texas, Asylum, Le Shop and Incu.

To check out the rest of the collection click here now.

And if you want this jacket....you must pay $1.000 (IDR 10jt). insane!!!!

The Chemical Brothers New single - Best of Album & Google Earth Video Project  

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THE CHEMICAL BROTHERS
Single: Midnight Madness
Release Date: 17th August 2008

Album: Brotherhood
Release Date: 1st September 2008

http://www.myspace.com/thechemicalbrothers
http://www.thechemicalbrothers.com/home/
http://www.facebook.com/pages/The-Chemical-Brothers/19311247240?ref=ts

“We wanted machines to sound as if they were sweaty, deranged and wild; things people associate with rock music” - Tom Rowlands, The Chemical Brothers

Following last year’s number 1, Grammy award winning album ‘We Are The Night’, The Chemical Brothers return with ‘Brotherhood’ a best of collection with a kick and a twist, set for release on 1st September 2008.

16 years, 10 million record sales and 5 consecutive number 1 albums and 4 Grammy awards would seem the perfect time to take stock of The Chemical Brothers’ heroic career but ‘Brotherhood’, the album that you are holding, makes no claims on being the definitive historical document of Tom and Ed’s career so far. It is not the time capsule version that will be left and dug up in centuries to come. No, ‘Brotherhood’ is defiantly the Friday night collection, 15 stone cold classics from Tom and Ed’s illustrious back catalogue, reinforced and fortified for the floor.

New tracks featured on Brotherhood ‘Midnight Madness’ and ‘Keep My Composure’, (featuring the shimmering flow of Baltimore’s Spank Rock) are classic Chemical Brothers, both sounding wholly timeless, startlingly original and completely different and appealing all at the same time

Alongside the 1st Disc Brotherhood will feature exclusively a second disc of Electronic Battle Weapons 1-10. Since 1996 Electronic Battle Weapons have acted as the laboratories for The Chems devious musical experiments and laid the rhythmic and melodic foundations for numerous tracks as well as providing some of the duos most formidable mixes. Previous EBWs have morphed into It Began in Afrika, Under the Influence and latterly Saturate. Until now Electronic Battle Weapons1-10 have only been available on various limited formats and this is the first time they have been widely released.

So this, then, is Brotherhood, The Chemical Brothers, out on the floor, totally in control. Here’s to sixteen more years. Here’s to the future.

The Chemical Brothers will be playing a sold out show at Olympia in what will be there biggest London show to date. This will be the first time any band has played this historic venue in ten years.

Join the Chemical Brothers in creating a unique global video project for The Chemical Brothers “Brotherhood” with Google Earth

Make your own short clip (from 2 to 20 seconds) or photograph about your favourite Chemical Brothers track. Then upload your work on the band’s website here: http://www.thechemicalbrothers.com/home/

Go to the Google Map (after the jump) and tag it to it’s exact global location.


woww......new album again?? i just say: good job guys!! i'll buy it.....

Canon EOS 50D preview  

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No surprises to hear that Canon has launched the much anticipated EOS 50D, an upgraded version of EOS 40D. On the surface it looks almost similar to its predecessor. However, there are quite a few significant improvements; fifteen megapixel CMOS sensor, faster DIGIC 4 processor, 3.0" VGA LCD monitor with Live View mode offering 3 AF modes, ISO sensitivity expandable to 12800 and an HDMI connection for high Quality Image viewing. It also includes a new Quick Control screen which shows the most commonly used settings and Creative Auto mode for automatic focus and exposure

Features at a glance:

  • 15.1 Megapixel APS-C CMOS sensor
  • 6.3fps continuous shooting, max. burst 90 JPEGs with UDMA card
  • DIGIC 4 processor
  • ISO 100-3200, expandable to 12800
  • 9-point wide area AF
  • 3.0” Clear View VGA LCD with Live View mode & Face Detection Live AF
  • Magnesium alloy body, with environmental protection
  • EOS Integrated Cleaning System
  • HDMI connection for high quality viewing and playback on a High Definition TV
  • Full compatibility with Canon EF and EF-S lenses and EX-series Speedlites
more preview of 50D: http://www.bobatkins.com/photography/digital/canon_eos_50D_preview.html


which will be you choose?? Nikon D90 or this Canon?? we will it see.........

In4mation x Vans Half Cab  

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Just yesterday we unveiled an upcoming In4mation x Vans Half-Cab collabo on the horizon. A full look has surfaced as the combination denim and houndstooth Half-Cab further adds to In4mation’s recent string of collaborations. The In4mation crew chose the Half Cab for its representation of skating legend Steve Caballero who pioneered a number of tricks throughout his career. An added bonus with the denim upper is that continual wear will reveal a hidden houndstooth layer in a tearaway-like feature. Available starting December 12th with 500 pairs slated for production.

I want it......!!!! can't wait until end of year..........

Vans Era Corduroy Pack August Release  

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That tacky corduroy jacket of your dad’s makes it way on this two-pack of Vans Eras. The two styles are more then just a difference in colorways as one style is made entirely of corduroy, the other one is a mix-match of brown leather toebox with green corduroy seen towards the back.

The grey one is really nice..........

Source: hypebeast.com

Jason Markk: Sneakers Solution??  

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Now....you don't need to worry with your sneakers if they dirty. Jason Markk is the solution.

With Jason Markk Premium Sneaker Solution Set, you can easily cleaning your sneakers.

Jason Markk Premium Sneaker Solution Set
Complete set. Includes 8 oz. Premium Sneaker Solution and Standard Sneaker Cleaning Brush intimately packaged in JASON MARKK sneaker box with koi paint splatter design.

  • OR/ORIGINAL
  • 8 oz. Premium Sneaker Solution
  • Does not contain any harsh chemicals or abrasives
  • 98.3% Natural and completely biodegradable
  • Safe on all colors and materials
  • Effectively cleans and conditions
  • Cleans over 50 pairs of sneakers

Standard Sneaker Cleaning Brush
  • Synthetic bristle
  • Handcrafted wood block brush
  • Heat-stamped Jason Markk logo on handle
  • Excellent for tackling dirt on midsoles
  • Great for all-around cleaning
  • Tough on stubborn stains
I'll cop one for my sneakers!!

Now Available at:

1. MyShoes Limited, Radio Dalam Road, South Jakarta
2. Koopa, Plaza Semanggi level 2

Entourage Season 3 Review  

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Still one of the best written shows on television, the shine definitely started to wear off of Entourage in 2007. The HBO series was the golden child of pop culture at the beginning of the year, and could be seen on the cover of countless magazines and the focus of dozens of TV pieces. If you didn't watch Entourage, you weren't as cool as the people who did. And the show lived up to the hype. The first two-and-a-half seasons of Entourage contained some of the best TV comedy of the decade, a brilliant mix of male camaraderie and behind-the-scenes Hollywood anecdotes. In short, Entourage rocked. But, there's reprecussions to being on the cover of every magazine that the clients of Ari Gold know about all too well - backlash.

The Show: The Entourage backlash began this past summer around the end of the last half of the third season and the start of the fourth. Partially due to overexposure but more due to its protracted plots (the Medellin arc felt like it was never going to end), people started to turn on this excellent series. Is Entourage as good as it has ever been? Not quite. The show seemed to lose just a little focus this year and people were looking for a chink in its armor. Is Entourage better than most shows on TV? Absolutely. There are episodes in the latter half of the third season, now available on DVD, that are among the best 30-minutes aired on TV. "Manic Monday," "Gotcha!," and "The Resurrection," are right up there with the best episodes of Weeds, 30 Rock, or whatever your favorite comedy might be. And, like Vinnie Chase, we believe Entourage can easily reach its peak again and possibly surpass it. Everyone has had their ups and downs on Entourage, even the writers and actors. If you think they're in down, then just wait for the up.

The DVD: As with most HBO DVDs, the visual quality and sound mix on Entourage is nearly unmatched in the world of TV on DVD. The video and audio presentations are perfect. You won't find a single flaw in the picture and the nearly-as-good surround sound track. The two-disc DVD comes with only two special features, but they're both great for fans of Entourage. The "Anatomy of Entourage," a behind-the-scenes bit on the finale will please fans, but it's incredibly short (only around 11 minutes). The better extra is a Museum of Television & Radio Panel from 2006 with the cast and crew. It's almost an hour discussion that provides tons of insight on how the show developed over its first few years. It's a must-have bonus for Entourage fans, who will also find three commentaries. Considering there are only eight episodes, that's an awesome ratio.

Final Thoughts: You're probably not starting your Entourage collection with Season Three - Part Two. To be honest, we still don't get that whole "parts" separation with the last seasons of Entourage and The Sopranos. If you've heard any backlash about Entourage, don't believe all of it. The show is still better than most on TV and HBO gives it the proper home treatment it deserves.

comment:

im probably not yet watch this season, but i think this season should be great!! which the season 1 and 2 is good.

Various Artists - Ed Rec Vol. III Albums  

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Label : Ed Banger Records
Released: May 2008
Style : Electro, House

Welcome and bienvenue. This is another noisy slice of Ed Banger-branded electro, as ubiquitous these days as Timberland boots. EB couldn’t be trendier right now, unless it was sponsored by the iPhone and brought to you in HD. In hindsight, the label's world domination always seemed destined to happen – right from the off the artwork, the rock influences, the snug denim et al were all about defining an all encompassing, indie-accessible aesthetic, something which Ed Banger proved very, very astute at.

Unfortunately, maintaining such a conscious “brand” takes a lot of effort. Artists and sounds must fit the mold, otherwise you risk having fans turn on you. For a brand manager, the kiss of death is Dylan-goes-electric artistic waywardness, but clamp down too tightly and you end up with just more of the same, which is the problem with this compilation. Too many tracks here adhere to the generic fuzzy, skuzzy Ed Banger sound.

This is a transient album – one track follows another without any semblance of cohesion. The effect is schizophrenic: one minute you’ve got puerile, attitude-riddled lyrics (Uffie’s ‘Robot Oeuf’), the next unremarkable and gloopy electro (Mr. Oizo’s ‘Minuteman’s Pulse’), the next death-rock curdles that would make a young girl cry (Sebastian’s ‘Dog’). It’s telling that these tracks, which are the worst here, are the most recognizably Ed Banger.

The retro, lazy-ass swagger of Busy P, however, requires a little more attention – ‘To Protect And Entertain’ is analogue-laced hip-hop, not just a straight up Banger, and all the more interesting for it. The same goes for Justice’s ‘Stress’: More delicate than anything else here, it has a cartoon tension which swells until airy riffs surf high on a proggy wave of electro, gushing uncontrollably forth to become, no doubt, a big summer hit.

The urgency of Mr Flash’s ‘Over the Top,’ with its undulating bassy stomps and lofty synth lines is decent, too, proving that there is still quality within Ed Banger’s ranks. ‘No Cow, No Pow’ is a glimpse at the label’s enduring potential - an inquisitive window of glitchy frequencies and vocoders which lure you in and really hit the spot.

There’s a pattern emerging, isn’t there? The more intricate tracks, the ones that stray from the typical Ed Banger blueprint, are the standouts. It seems the less Ed Banger pursue their particular indie/dance brand, the more creativity they allow the artists.

In place of originality, of course, is loudness: your overall impression is of an instantly gratifiying, in-your-face wall of noise. Lack of subtlety never stopped a pop song from reaching the top of the charts, however, and no doubt the relentless of Ed Rec Vol. III will strike a chord with many.

Tracklist: Various Artists - Ed Rec Vol. III
01 Mr. Oizo - Yves
02 Busy P - To Protect And Entertain (feat. Murs)
03 Mr Flash - Over The Top
04 SebastiAn - Dog
05 Uffie - Robot Oeuf
06 Justice - Stress (Auto Remix)
07 Mr. Oizo - Minuteman’s Pulse
08 DJ Mehdi - Pocket Piano
09 Krazy Baldhead - No Cow, No Pow
10 DSL - Find Me In The World
11 Feadz - Back It Up (feat. Spank Rock)
12 So Me - Decalcomania

Nike Dunks SB Archive and History...  

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The Nike SB Dunks are the backbone of the Nike SB (Nike SB) line. Nike saw the potential of tapping into the skateboard clothing market because skateboard clothing and sneakers were worn more as casual wear than for the actual sport. The Nike SB Dunks were the same shapes as the Original Nike Dunk but featured a few alterations. Due to physical strain on the foot, good cushioning was a necessity. Also, skateboarding shoes need to have a low center of gravity, so Nike decided to add Zoom Air insoles. Next, thicker padding was added to the areas around the ankle and the tongue. Last but not lease, there was no shortage of material used on the SB Dunks. Double and triple stitching is the norm in the skateboarding shoe industry, so Nike had to step up its design from the original Nike Dunks.

Nike SB Dunks are sold for lower prices when they are first released, but since store owners know the price SB heads are willing to pay to collect Dunks, they tend to inflate prices, sometimes doubling or even tripling the original price. The increase in price depends on the quantity made of a certain shoe and how rare it is, especially when there is much anticipated hype about a shoe.

Sneaker connoisseurs are willing to do more than just pay a higher price for a pair of sneakers they want. During releases, especially limited releases, sneakerheads will sit outside of a store for hours, even days, in any type of weather, in order to have a chance at buying a pair of Nike SB Dunk.


Nike Dunks SB Archive (sorted by date):

ORANGE BOX

SILVER BOX
PINK BOX
BLACK BOX
GOLD BOX